Thursday, 17 March 2016

'We Are Alive' by Dani Rosenoer, Sam Cross & AL'sic is Tropical Masterpiece!



By CA Marshall

So, it took me a moment (a day) to let this one really sink in. I was having a tough time trying to figure out whether the new single ‘We Are Alive’ was a short promotion for a new website or a new single released by my friend Dani Rosenoer (Keyboardist/Vocalist, Three Days Grace). All I know is, I wanted to hear more! I only caught a glimpse of it in the video first promoted on The Golden Reef’s Facebook page yesterday so hearing the song in its entirety today was like a warm: ‘Welcome! Summer is coming!’ And that’s just what this collaborative effort is: Summer Sounds, or as The Golden Reef’s page suggests: Music beyond the Golden Reef and a 'Tropical Masterpiece'. (see below)



AL'sic & Sam Cross - We Are Alive (ft. Dani Rosenoer)
We're so proud to release this exclusive premiere: AL'sic & Sam Cross teamed up to release this tropical masteripiece featuring vocals from Dani Rosenoer. The right vibe to escape to paradise! Music beyond the reef <3Full Song: https://soundcloud.com/thegoldenreef/alsic-sam-cross-we-are-alive-ft-dani-rosenoer
Posted by The Golden Reef on Wednesday, March 16, 2016

Rosenoer leads the vocals in this magical number alongside Producer Sam Cross of Peru, and French Musician AL’sic. Since Rosenoers’ release of his album ‘Monkey Prison’ earlier this year, I have been a huge fan of his sound – enough so, that we launched an article about him in our December 2015 Magazine (click here to read). So, it wasn’t a huge surprise that this new single was a light-inducing ode to the mighty sun and surf scene in the wake of his single ‘Place In The Sun’ from Monkey Prison.  (Seriously, I’m ordering my surfboard now!)

The collaborative team along with Engineer Mat Keselman (who missed the track) provide instrumentation that is exultant and upbeat like a pleasant walk on the beach or even a video playback of an epic World Surf League clip. The fact that there are literally three ethnic backgrounds and styles of music here combined makes is a truly brilliant piece. Have a listen to it here (see below) on SoundCloud and see what we mean!


Well done Gentlemen! 


ARTIST ALBUM REVIEW | Ana Free 'The Weight Of The Soul' Bliss


By CA Marshall
*Previously posted to Indie Habit*

British-Portuguese (originating in the UK), Los Angeles based Folk Pop Artist Ana Free has been introduced to my music library as of this very moment. No joke. I have downloaded her latest album ‘The Weight Of The Soul’ released December 4th, 2015 and find myself playing it on repeat for its soulful and uplifting vibe.

Free is not new to the music scene. In fact, the songbird has been songwriting since the age of 11 and has acquired over 600 original songs in the span of her career. The majority of her music relates to her own life experiences and that is reflected not only in the lyrics in her songs, but also in the melody and vocals: this is an Artist who has a very positive and real-life presentation.

In researching her social media, it is safe to say that Free has accumulated a massive fan following globally with at least 20,000+ Twitter followers, 96,000+ facebook fans, and over 100,000 YouTube subscribers. In addition, the Artist has performed in over 60 venues in the span of her career in conjunction with being music Ambassador for a global digital campaign for Volkswagen in 2013. She has earned the respect of Billboard Magazine and has opened for Prestigious Artists such as Shakria, James Morrison, and Ronan Keating to name a few. Free has also performed at the Rock in Rio festival, Meo Sudoeste, and the Miami Reggae Festival. Most recently, she has been chosen as the voice of the grid for the new Disney interactive game TRON.

The ‘Weight Of The Soul Album’ is a seasoned reflection of this Artist and her ability to deliver a truly unique and ‘pleasant to the ears’ sound. The instrumentation throughout is atmospheric and uplifting. The song ‘Killing Kind’s title may suggest a rather bleak track but upon the first few chords and verses, there is no mistake that this sets the aforementioned presence for the remainder of the album. ‘Say It To Me’ is yet another pleasant surprise to the ears: it is a song with an upbeat vibe and catchy lyrics. ‘Remember Me’ is a little more deep. The song speaks of a longing and the lyrics reflect this. Free’s distinctive vocals truly pull you into her heart in this song and you almost feel her pain. ‘City Lights’ is a really fun and exciting ‘summer song’ with instrumentation and lyrics suggesting that ‘new love’ spring feeling followed by the final song on the album called (fittingly) ‘California’, a truly reflective song about life and being brave to make choices despite the odds. This is a song that has a true folk vibe and is supported by Frees proficient acoustic guitar playing heard throughout.  

I feel confident in saying that after listening to this Artist, I am disappointed.....not because of the quality or her sound or her album, but that I want to hear MORE! 


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Monday, 14 March 2016

Olivia Penalva | *NEW* Single 'Outshine The Stars' is GOLDEN



by CA Marshall

When I first heard of Canadian (Vernon, British Columbian) based Recording Artist Olivia Penalva, it was for a Reverbnation contest that Starlight Music Chronicles (SMC) and Bongo Boy TV (www.bongoboytv.com) hosted. Suffice to say, her charisma and charm was noticeably effortless on camera and off: this is a genuinely talented young songbird who carries each lilting note through carefully thought out lyrics and melodies that define her as soulful, classy, and incredibly centered (almost) 16 year old (Psssst...her birthday is in April).

March 21st will launch the release of Penalva’s new single ‘Outshine The Stars’, a deeply moving ballad about remaining positive even when the world challenges you and leaves you broken. The cleverly written lyrics matched with her powerful vocal ability warms the heart similar to her earlier single ‘Ferris Wheel’ except to say that audibly our little girl (SMC’s January Artist of the Month winner) is growing up. And, I’m not being sarcastic when I say this: I know that Olivia’s vocal ability currently at the age of 15 is just as supreme as it will be in a few weeks, it’s just that time has allotted this young talent even more expression and range and it is evident in this single.

In December 2015, our Contributing writer Randy Wayne Belt wrote a very in depth and insightful interview and review of the young Artist for our second magazine issue, and I encourage anyone wanting to learn more to have a read. (click here). He was right on the mark when he said (quote): ‘As a Singer, her voice has a timbre and character that make one think of a voice like that of Andrea Wittgens, Nora Jones, or Colbie Caillat.

I had the opportunity to meet up with Olivia in Edmonton while she was in town on a Radio tour earlier this month and sadly wasn’t able to but I can assure you that if ever she crosses my path again I will not miss her nor should you! Check out her new single by clicking the SoundCloud link below.


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Sunday, 13 March 2016

BLAKE SHELTON SET TO RELEASE NEW ALBUM IF I’M HONEST ON MAY 20



from Warner Music

NASHVILLE, TN –(March 8, 2016) – The much anticipated new single from country superstar Blake Shelton, “Came Here To Forget,” premiered March 8th, 2013 and immediately raced to the No. 1 spot on iTunes’ Country Chart. The track is the first single off his forthcoming 12th studio album, 'If I’m Honest', set to release on Warner Bros. Records/Warner Music Nashville May 20. “This is the most excited I’ve been about a new album since the release of my second record,” said Shelton.

Written by Craig Wiseman and Deric Ruttan, “Came Here To Forget” is an intimate snapshot of a couple’s encounter at a bar. “I’ve had a lot of music over the years,” Shelton continued, “but I don’t think I’v

Shelton recently performed to two sold out crowds at Nashville’s Bridgestone Arena with The Tennessean noting that Shelton reinforced “he is one of country music’s most skilled song men and reliable, identifiable voices” and further adding that “his delivery of “Goodbye Time” [was] one of the finest country music moments on Bridgestone Arena’s stage in recent memory.” His ‘Blake Shelton 2016 Tour Presented by Gildan’ concludes next weekend with stops in New York and Pennsylvania.

Slime-filled fun is set to take center stage this Saturday, March 12 as Shelton prepares to host Nickelodeon’s 2016 Kids’ Choice Awards. Super-sized surprises will take over this year’s awards honoring favorites from the worlds of film, music and television, and giving kids a front-row seat to slime, stunts and celebrities. The show will roll out on Nickelodeon’s more than 180 countries and territories around the globe.

Shelton is currently coaching for his tenth season of NBC’s two-time Emmy Award-winning musical competition series “The Voice.” A four-time champion coach, Shelton is re-united with Christina Aguilera, Adam Levine, and Pharrell Williams.

 Winter Tour Presented by Gildan dates:

3/17/2016​ - Buffalo, NY - ​First Niagara Center

3/18/2016​ - Wilkes-Barre, PA - ​Mohegan Sun Arena at Casey Plaza

3/19/2016​ - Pittsburgh, PA - ​CONSOL Energy Center

Canadian Summer Festival dates:

July 9       Cavendish Music Festival - Cavendish, PEI

July 30     Big Valley Jamboree - Camrose, ALTA

August 6  Boots & Hearts Festival - Oro-Mendonte, ONT


DAVID BOWIE FANS GET RECORD STORE DAY TREATS



from Warner Music 
March 8th, 2013

Record Store Day, 16th April, 2016, brings two very special limited DAVID BOWIE picture disc releases, the 40th anniversary edition of TVC15 and the alternative German only cover artwork of THE MAN WHO SOLD THE WORLD.

Originally released 1976 TVC15 was the second single to be taken from the album STATION TO STATION with GOLDEN YEARS being the first at the end of 1975. For this special Record Store Day release it will be a double A side with the 2010 single edit of ‘Wild Is The Wind’ which is making its vinyl debut.

Also released on April 16th for Record Store Day is the limited edition vinyl picture disc version of the classic 1970 album THE MAN WHO SOLD THE WORLD. This new version features the alternative original German LP artwork which features a winged creature with Bowie’s head and hand for a body, preparing to flick the earth away.

20th May, 2016 marks forty years to the day that David Bowie's first ever best-of compilation, including songs from 1969 to 1976, CHANGESONEBOWIE was released. To mark this anniversary the album is being reissued on 180g heavyweight vinyl, cd and digital formats including Mastered for iTunes. Half of the limited vinyl will be pressed on black vinyl whilst the other half will be pressed on clear vinyl, this will not be mentioned on the sleeve so it will be completely random as to which one you receive.

TVC15 LIMITED EDITION 40th ANNIVERSARY 7” PICTURE DISC

A-Side TVC15 (Original Single edit)
Produced by David Bowie & Harry Maslin
Recorded at Cherokee Studios and Record Plant Studios, Los Angeles

AA - Side Wild Is The Wind (2010 Harry Maslin mix single edit)
Produced by David Bowie & Harry Maslin
Recorded at Cherokee Studios, Los Angeles
Remixed by Harry Maslin 2010

The image on the A side of the picture disc is a shot from long-time Bowie friend Geoff MacCormack. Taken on the set of ‘The Man Who Fell To Earth. The AA side features a Steve Schapiro image from 1975.

THE MAN WHO SOLD THE WORLD ALTERNATIVE SLEEVE PICTURE DISC
Side 1

The Width Of A Circle

All The Madmen

Black Country Rock

After All

Side 2

Running Gun Blues

Saviour Machine

She Shook Me Cold

The Man Who Sold The World

The Supermen



CHANGESONEBOWIE Track List


Space Oddity

John, I’m Only Dancing

Changes

Ziggy Stardust

Suffragette City

The Jean Genie

Diamond Dogs

Rebel Rebel

Young Americans

Fame


Golden Years

Thursday, 18 February 2016

*ARTIST REVIEW* Phosphene | 'Phosphene' Self Titled Album is On Fire!



By CA Marshall

Editor | Starlight Music Chronicles
(previously posted on Indie Habit)

If I had knowledge of the self-titled album release for Chicago-based band Phosphene on March 19th of 2015, I would have definitely requested it as a birthday gift the next day. There are often many profiles of bands and Artists that cross my desk any given day and it’s not until I get a chance to sit and really listen to the music that I am inspired to write a review. This is the case with the female fronted band comprised of Jeni Leigh (Lead Vocals), Michael Slazar (bass guitar), Dan Bikar (guitar), and Andrew Cantore (drums).

The band debut in 2014 and since, has acquired the attention of several notable media platforms and press appearances such as Alternative Press and Revolver magazines to name a few. In fact, Lead vocalist Jeni was chosen as Revolver’s ‘Hottest Chick in Hard Rock’ shortly following the band’s album release. In addition, their album has been spun on notable radio stations throughout the USA and they have been invited to Vans Warped Tour in 2014 and 2015. Other notable appearances are on FOX News, ABC 7 NEWS Chicago, The Mancow Show, and ESPN’s ‘Friday Night Fights’ show hosted by Mike Tyson (Jeni sang the anthem). They have also toured with The Pretty Reckless, Lacuna Coil and Sick Puppies, Judas Priest, Breaking Benjamin, Foghat, and George Thorogood.
So all accomplishments aside, let’s get into the album review shall we?

Phosphene’s self-titled album is a 12-track Alternative Rock ‘golden nugget’: the tracks ‘Riot’, ‘Hold On’, and ‘Anti Hero’ are consistent in their composition and sound which is truly hard rock at its finest- the guitar riffs are a religious experience throughout the album, but especially in these three songs . The single ‘Scream’ is reminiscent is a mixture of delicate and powerful with Jeni’s vast vocal range followed by ‘Antidote’ which is also similar in composition and sound comparative to ‘Scream’. Going further into the album, ‘Warrior’ is probably one of the most captivating of this album with its powerhouse vocals and lyrics. Instrumentation in the song ‘Lock Me Away’ with piano woven throughout creates yet another layer of genius with this band’s ability to prove they are diverse in sound. Lyrics throughout the album as well as in previous content from the band are purposeful and intentional and support the overall ‘Hard Rock’ image that is portrayed.

Going further, I have taken a look at the band’s website and can see that along with strong affiliations and endorsements they have also acquired an equally strong fan base (120,000 and growing!) through consistent live performances that can be viewed on both photo galleries (website) and their YouTube channel. The kind of band that impresses the masses is the ones that truly remain humble in their approach and that is apparent throughout their connection with their fans. This is apparent with consistent communication with fan and industry feedback on their social media platforms and reflects a band that is willing to spend the extra few minutes a day responding to comments on their posts.

It is safe to say that for a band so early in its inception stages to have already acquired so many accomplishments in a relatively short period of time is indicative that they are going to go the whole distance with their career on all levels. Fabulous!



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Monday, 15 February 2016

*NEW VIDEO* REVIEW | Lexi Strate's 'DIAMOND EYES' video was WORTH THE WAIT!

Screen shot from the BRAND NEW 'Diamond Eyes' video by Hands Up Music's Recording Artist Lexu Strate

by CA Marshall


Only hours after the ‘day of love’ does Hands Up Music Recording Artist Lexi Strate strategically release the ‘mother of all heartbreak’ songs in her new video (single was previously released February 8th, 2016) ‘Diamond Eyes’ (click to view the video here). I say this, because this has been a much anticipated release for us at Starlight Music Chronicles (SMC). Both the branding for the single release and the single itself all coincide with the video release today: Stellar!

SMC has followed many of the brilliant Recording Artists that have worked with Hands Up producers Dan Davidson and Ari Rhodes over the last few years such as Bryan Finlay and Rachel Woznow who have both appeared as feature Artists on the cover of our first two issues of SMC Magazine. Last July, Strate released her video ‘Antidote’ (see our review here) with a colorful bang and was already on the SMC radar as ‘one to watch’. This time around, she has enlisted herself as one we will definitely keep on our radar. Why? She’s totally proven herself as an Artist who is consistent in her presentation while being able to create something brilliant and new every time.


Diamond Eyes is essentially a song about heartbreak and longing but it isn’t just ‘any heartbreak song’ it’s THE song.  Strate’s ‘grown up’ thick chalky vocals reminiscent of Nina Simone and PINK are truly iconic and easily identifiable when heard on radio (and, we BETTER hear this song on radio!). The brilliant lyrics and production of the Hands Up Music team prove that this is a team that is truly in touch with their Artists: elevating them to their maximum potential and setting them free to the world. This is demonstrated in the boundaries Strate has pushed for herself past and present with the support of the Hands Up team.

The vocals in this number produce an end result that can be compared to a sexy vaudeville singer from the 20’s: truly entertaining and alluring. In listening to the instrumentation in the song in its entirety, one can easily picture themselves riding around in a convertible, summer sun on their face, and gentle breeze in their hair. This is the kind of song that will linger on radio stations for some time to come for its ‘feel-good’ sound.


The lyrics in combination with the video are brilliant. Consistent branding throughout the last few weeks have indicated that you are going to view a video shot in beautiful, soft, instagram-worthy blue undertones supporting the ‘blue’ mood the subject is expressing in realizing that the love of her life ‘just isn’t all that into her’. But then we flash into a cinematic, brilliant, polished ‘Vogue’ worthy, 'Come and get me' seductive scene change during the chorus: It’s stunning and brilliant! This is the handiwork of Director: Travis Nesbitt (the same who directed her video for ‘Antidote’), Russ Dawson (Creative, Set Design), and Jasmine Ming-Wai Ma (Make Up and Wardrobe).

Suffice to say, Strate is not only on our radar, she has proven herself a brilliant Star/Diamond in our Starlight Music Chronicles history and we look forward to more coming from this talented young songstress!

Ps: we have added this video and album single with link to her iTunes to the ‘Our Faves’ section of the website. Fabulous job!

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Thursday, 11 February 2016

*ALBUM REVIEW* Sophia Radisch “Beautiful Sin” an 'AMBITIOUS' 13-Track LP

Sophia Radisch - photo courtesy of Sophia Radisch 

by Mike McKenna
Contributor, Nor'Easter Magazine

This young lady comes to me with kudos longer than my arm and she is only 17 years old, having come into the music scene young (at 13!) She has accomplished more in her early years than most musicians experience during a lifetime. Hailing from Ottawa, Ontario, Canada, this powerhouse is a member of SOCAN (The Society of Composers, Authors and Music Publishers of Canada) SAC (Songwriters Association of Canada) & CARAS (The Canadian Academy of Recording Arts and Sciences) and is the Co-Founder & Co-Owner Of Rock Solid Talent Entertainment Ltd.

Her musical talents have been well documented and described as “having a style that is all her own that she projects with a cutting edge in a mainstream flavor.” With over 150 songs in her catalog, some of which were included in the feature film, “Thirteen Downs”, for which she was cast in the lead as “Lilly.” This young lady has everything going for her including working with Hall of Fame Songwriter, Publisher, Music Journalist, and Producer Larry Wayne Clark on 3 collaborations.

Her current band is like a Who's Who of Rock and includes former Megadeath members and guest musicians, Glen Drover who produced the LP and gives it up on lead vocals and also on the guitar and drummer Shawn Drover provided the beats; Ronnie "Dawg" Robson with bottom rhythm on bass guitar and Sophia, who composed & co-produced this effort as well as plays guitar and belts out the lead vocals.

This ambitious 13-track LP opens with the title track, “Beautiful Sin”, which gives me visions of the style of an Alanis Morrisette. The slammin' riffs are totally hot! The LP's 1st single, “Hot Blooded” has “London Calling” Clash-like guitars throughout which set the pace for her angelic pipes and melodic vox. The rhythmic changes are fresh and blend together in a nice marriage. Once again, we hear tight manipulation of the frets on the guitar solo. RAD! “Defeated” has a nice retro/mod flavor where the musical flow just moves so smooth. NICE!


“Saint or Sinner” is a cool mid-tempo rocker with tight harmony that has Sophia proclaiming “I'm a Saint, I'm a Sinner”, COOL! “Shiver”most likely alludes to that Canadian cold which does make one shiver, I've experienced that for myself. BRR! “Suffocate” tells an awesome story that comes from way down deep, Sophia nails this perfectly! “Give Me A Soul” has a sound that would raise one's blood pressure in a heartbeat. With a combination of power vocals and bangin guitars, this would light up a nightclub in an instant. HOT! “Come Around” shows one another side of Sophia as she gives everything she has in this feeler.

“Raining Fire” just hits you from the door and holds the listener captive. “Heal Your Woman” has a mainstream Alternative sound that should kick-ass on ALT formats. If I was a programmer, I would have this as an ADD in a HOT rotation! BANGING! “Sweet Injustice” follows in the creative mold of some of the earlier tracks where Sophia's exceptional talents are once again on display for all to hear. “Stairway to Nowhere” has a nice AOR/Adult Contemporary appeal to it, this track could cross over into multiple formats. The final track, “Behind Closed Doors”, showcases those powerful lungs of Sophia's married nicely to some laid-back instrumentation which gives this a smooth flow.

After listening to 13 tracks, coming out of hypnosis by her wonderful voice and finally getting it all together here, I can honestly say that this is a lady on the rise. Are we going to hear more from her? HELL YES! She is one talented, polished musician with the chops to go along with it all. If she can make a believer out of me, than she can do the same for you, the discriminating listener. She has the moxy to do it all in a big way!

This LP is a MUST LISTEN! On the Nor'easter Storm Scale, I give this a FORCE 3! WELL DONE!

LP Review by Michael McKenna

Nor'easter Entertainment Magazine

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Wednesday, 10 February 2016

Paul Woida | Pulling out all the STOPS in his *NEW VIDEO* 'Hello'

Recording Artist Paul Woida - June 1st, 2015 *EXCLUSIVE* NEVER SEEN photo by Candice Anne Graphics & Photography

by CA Marshall


So here’s the deal: Paul Woida is BOSS.

The Edmonton, Alberta Musician (who has been rocking local headlines) has recorded and created yet another brilliant masterpiece in his newest video cover of Adele’s ‘Hello’ and we are excited to share our thoughts on the Artist and this video.

Woida has received accolades in last year’s win (June 1st, 2015) for the Hot 107 FM Radio’s ‘Hot Factor’ contest and was awarded a grand sum of $10,000 which he has been putting towards new and original recordings (soon to come). He has also moved up to the United Way’s top three finalists in the United Way Voice competition and is holding strong with votes among his incredibly supportive friends, family and fans. In addition to this, he has been touring schools with fellow Recording Artist Mackenzie Dayle in an inspiring anti bullying campaign that has already caught our attention and has recently performed in front of 5,000 fans at Northlands in Edmonton, Alberta. Someone who can accomplish all of these things in under a year in an industry that is extremely competitive earns my total respect not to mention the respect of everyone he meets.  

With the many ‘Bang On’ covers he has done in the past such as Maroon5’s ‘Sugar’, Justin Timberlakes ‘What Goes Around’, Katy Perry’s ‘Dark Horse’, and Taylor Swifts ‘Out of the Woods’, and Coldplays ‘Viva La Vida’ to name a few, Woida’s latest video cover of Adele’s ‘Hello’ has truly pulled out all the stops. The video is carefully crafted and genuinely reflects who I know this Artist to be which is truly talented, determined, consistent, concrete in his content, and innovative. The vocals are truly his own classic signature sound combined with the refined looping technique that true Woida fans have become accustomed to. As with all of his content, he goes in, does his magic, then goes on to the next thing, and there is ALWAYS a next thing.


So here’s my advice: subscribe to all of his social media forums in order to keep up – no joke. I have been guilty of not doing so and when I go to ‘check out what’s new with Paul Woida’, I am always surprised and often, feeling totally out of the loop because there’s continuously something new!

Here’s a well known secret among those who know Woida intimately: in addition to his amazing talent, you will never find a more humble human being - he doesn’t have to spam newsfeeds and shove his talent down your throat. The final produced result in his music is proof that this isn’t necessary – it’s pure QUALITY, and this latest video is proof of that fact. (see below)

Keep on knocking them out of the park Paul! 


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Music Festival Season! | Is Your Band Ready?

'LIGHTS' July 2015 @ KDays Edmonton - Photo courtesy Candice Anne Graphics & Photography

By Michael McKenna – Nor'easter Entertainment Magazine

Music Festivals, long a favorite summer pastime in Europe, have now taken firm hold among US music fans as the places to see new regional music. Naturally, that leaves even more bands asking how get on the bill. Getting booked to play a music festival is extremely competitive, so taking the right approach is the only way to get a foot in the door. Now, I'm not going to kid you and say it's going to be easy, if it was, well, everyone would be doing it, but you can get yourself on stage in front of festival crowds. Get your band booked for a music festival with these tips.

1. Be Ready For It
I know, I know, you think your band is ready! But, are you REALLY? This isn't an affront to your music, in fact, at this point, we're really not talking about how good your music is at all. We're are talking about if your band is ready for the unique demands of playing a music festival?

If you aren't so experienced yet on the live circuit, then you're probably not. Playing a festival is a different beast than playing your local club, so promoters usually look for bands who have a proven track record of commanding a crowd and putting on a solid show. Remember, you're competing with a lot more when you're playing to a massive crowd of people outdoors than you are when you play for your friends at your favorite bar, so you need to have your stage presence on lock, something that only comes with a whole lot of practice.

You'll have the best chances of succeeding at getting booked and killing your set - if you do the groundwork of building your stage show first.

2. Know Your Targets
No, you don't want to play just any festival that will have you. That's akin to sending your music to every promote and agent in the region, regardless of the kind of music they work with. Instead, narrow your search and settle on a few target festivals that you would like to play that centers on your specific genre of music.
Of course the festivals in question should welcome your genre of music, but make sure they tick other boxes, too. For instance, are there stages suited to bands of your audience size? Would you be able to travel to the festival if your expenses weren't covered by your booking fee or as part of your deal? If you don't have an agent, does the festival welcome submissions directly from musicians? Don't waste energy chasing festivals that aren't a good fit for you, even if they happen to be festivals you enjoy as a music fan. Get in where you fit in, and you'll get booked much easier.

3. Set Your Calendar
Believe it or not, one of the biggest obstacles musicians always face when applying for festivals or other events is simply getting the application, so to speak, in on time. Do not apply to things late. DO NOT MISS DEADLINES! Create a calendar of submission deadlines to all of the festivals you want to play so you opportunity doesn't pass you by.

4. Prepare For Submission
Every festival will have its own submission requirements, but be prepared to need an artist bio and some music, at the very least. It is also a good idea to have a video of you performing ready to be viewed and to have some professional press photos ready to go. You will also need some decent quality recordings to show off your sounds in the best possible light.

When it comes to submitting your music, bio, and so on - submit exactly what is requested - no more and no less. No, sending three songs when two were asked for is not better. No, your bio shouldn't book lengthened. If they're not giving you an opportunity to tell how many shows you've played, don't cram the information in there. Their formula is in place for a reason, and deviating from it is a good way to ensure your music doesn't get listened to at all.

5. Get Your Social Media Ready
I hate the notion of promoters looking at how many FB, ReverbNation, Twitter or social media followers a musician has as an indication of whether or not to book them so much that I hate to suggest you care. However - that DOES happen and you DO have to care.

And, to be fair, there IS a point there. Having a large number of social media followers isn't the same thing as having a large number of bums in seats, but it does say something about you as a musician. It means you engage your fans and that you're committed enough to promote yourself, which hints that you'll work hard to promote your show and give your fans a good set.

So, with that said, before your apply for a music festival, get your social media numbers up as much as you can and most importantly, get active on your pages. If your last post was two years ago, get a flurry of activity going before you apply.

6. Don't Be Afraid to Start Small
Does your town have a festival that hosts live music? Sometimes, the best festival to start your festival career at is right in your backyard. Now, sure, it may not be Lollapaloza or Woodstock, but that's OK. It is a chance to put a festival appearance on your resume and get used to that style of playing live. The more you can make a name for yourself, the more interested festival promoters will be about adding you to the bill. Local festivals are a great start to moving up the ladder to regional and nationwide festivals.

7. More Dos and Dont's For Getting Booked at Festivals

DO look out for special booking opportunities, like contests in which the prize is an appearance at the festival

DON'T pay to play a festival, Ever! This includes festivals that want you to buy tickets to resell to fans yourself. Nope, no way, no how. PLEASE.

DO keep the faith. It's competitive out there! That doesn't mean that your band doesn't belong on the stage. Keep gigging and making music as you keep working on getting a festival slot. Every show, every song, every new fan is a step closer to your goal. Remember, it's all up you and how persistent and focused you and the rest of the band are towards reaching a set goal.